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How my Arrangement Came About.

      I was an orphan in the middle of the Depression at age 14.
      I went to Central High School in Fargo ND, graduating in 1940.
      I was musically inclined although I never had any instruction. I took up the clarinet in the 7th grade and went to the Bass Clarinet several years later. I taught myself to play the piano. After five years, I managed to do it well enough for Mr. Sorlien, the music director to make a special arrangement of "Deep Purple" for piano, 31 piece swing orchestra and a chorus to be presented at the "All-Talent Show", a regular event every spring. And there I was, playing a grand piano, center stage, with several beautiful girls dressed in formals draped on the piano! I managed it. In retrospect, I don't know how. Mr. Sorlien's unbounded confidence that I could do it was crucial I believe.
      About graduation time, Mr. Sigvald Thompson, who was head of the Concordia Conservatory of Music in Fargo, talked to me about coming to the Conservatory for two years and then he believed I could get into the Eastman School of Music in New York State. Where the money would come from, I had no idea. I had none.
      Mr. Thompson's suggestion was a very attractive offer. But eating was too much of an uncertainty at that time for me to consider it. I had no training in any sort of music but was playing the piano at least 2 hours every day and driving my sisters up the wall. I was making my own arrangements with no real knowledge of what I was doing.

      I have always felt that my intended destiny was to be a composer of classical music. But in the Depression it was easy to see who was out of work and I abandoned any consideration of music as a career. I first wanted to be an aeronautical engineer, but after flying 94 missions of straffing and divebombing in WWII that did not intrigue me as much as it had and I became a chemist.
      I had always despised the terrible arrangement one heard of the Star Spangl'd Banner. I believe at the time, it was illegal to make an arrangment of it other than the "official" one. As a matter of fact I remember hearing that Cab Calloway was actually put in jail for doing it in the middle thirties. But I went ahead and arranged it for 7 part chorus.

      I never heard it sung for 60 years.

      In the year 2000, I was going through some old papers when I encountered the arrangement. So I worked up a set of parts and contacted the Music Director at the San Luis High School, Mr. Gary Lamprecht. I have unbounded respect for him as a choral director. I even joined his "professional" chorus, the Vocal Arts Ensemble, until I realised I no longer had the vocal endurance that would be required and I resigned, with great regret.
      My daughter had been very active in high school as a member of the band as a flutist (and piccolo, of course). She was in the choir and in the smaller and favored group, the Stage Choir! So he knew me. I approached him with the arrangement and gave him an abbreviated form of this explanation. I then offered a $100 donation to his choir fund if he would have the chorus rehearse the arrangement and when he felt it was somewhat presentable to make an audio tape of it for me. He agreed.
      Later, in the spring, he invited me to the Parents' night function they have every spring for awards etc. I came and sat in the front row. As the program opened, the 100 voice choir filed out on the stage and after a small introduction, they sang it. It was quite an emotional thing for me. I had not heard it in the sixty years since I made the arrangement.
      They did quite a good job of it and he gave me a tape. But the large chorus had a number of less experienced choral singers and some of the internal moving parts were not as clear as I might have liked them to be. But I want to emphasize what a wonderful gift this was for me.

      Several years later, I struck up a conversation with another fellow traveler in the terminal at San Francisco, waiting for my ride to San Luis Obispo. Lo and Behold! He was the choral director at Cuesta College, a junior college in San Luis Obispo. So, yes, I had to bring this arrangement up. He seemed quite proud of his chorus. It was quite small, perhaps 25 and he could be a lot more selective in choosing the members. So it is no surprise that it was closer to being a professional choir than the maximum participation choir of the high school. I say again, I will always have great appreciation for what Mr. Lamprecht did for me.       Mr. Knutson did it and invited me out to several rehearsals. He finally recorded it, then took it into his editing room and massaged it into the form you will hear here. And then he gave me a CD.
      They did a beautiful job and I play it every so often, much to the dismay of my wife, I suspect. After my quintuple bypass last December I had to do a certain amount of walking every day. Due to the inclement weather, I had to do the walking inside my home. As an encouragement to me, as I was pacing back and forth from the TV room to the bedroom and back, I would hit the button on my boombox as I passed. It took about four renditions to complete my appointed rounds. My wife was glad to see me doing my thing and she tolerated the patriotic obligato.
      I present it here and hope you enjoy it.


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